Wren Hollis is not a real person. Well Made Plays invented this artist so we can show a complete deliverable at full size, with nothing blurred out, without putting a real client's career on the internet. The structure, the depth and the level of detail are exactly what you would receive. The name, the songs, the venues and the numbers are made up.
Well Made Plays · Free Royalty Scan
Wren Hollis · Dusty Alt-Country · Austin, Texas
You asked whether you are set up to get paid before the October single. Short answer: your performance side is half built, and your mechanical side is not built at all. The second one is the gap that matters. US streams generate a mechanical royalty whether or not anyone is registered to receive it, and nothing of yours is. It is also free to fix.
This looks at what anyone can see from outside. It does not touch your accounts, so there are things in here marked as not checkable. Those are honest gaps in what a public scan can reach, not judgements.
The one that matters most
None of your eleven songs are registered with the MLC. The MLC pays songwriters the mechanical royalty on US streams. Both EPs have been live for over a year and have 310,000 streams between them. Every one of those streams generated a mechanical royalty, and with no registration there is nobody for it to be paid to. How much of that is still claimable is not something a scan of public registries can see, and this scan does not guess. Registration is free and you can do it yourself. Doing it before the October single also means County Line is covered from day one instead of retroactively.
These need access to your accounts. They are the substance of the paid review, and we are not going to guess at them here.
| Item | Why it is not visible from outside |
|---|---|
| Distributor setup | Whether splits, territories and payees are configured correctly inside your distributor account. |
| Money already collected | What has been paid, what is sitting unclaimed, and whether anything has been sent back. |
| Co-writer splits | Two songs credit a second writer. Whether that split is agreed in writing is not public. |
| Sync readiness | Whether instrumentals and clean versions exist, and whether the files are labelled the way a supervisor needs. |
| Neighbouring rights | Performer royalties on recordings, which are collected separately and are commonly missed entirely. |
In this order, and the first two are free and take an afternoon:
The gaps here are registration-shaped, which is the kind the Royalty & Revenue Review is built for. It opens the accounts this scan cannot see and hands back the fix list in order. That is the natural next step, and you can also just do the three things above yourself.
Well Made Plays
This is a real deliverable, built at full size for a demonstration artist. Yours is built from your own catalog, numbers, and plans.
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