Wren Hollis is not a real person. Well Made Plays invented this artist so we can show a complete deliverable at full size, with nothing blurred out, without putting a real client's career on the internet. The structure, the depth and the level of detail are exactly what you would receive. The name, the songs, the venues and the numbers are made up.

Well Made Plays · Free Royalty Scan

What the public record says about getting paid

Wren Hollis · Dusty Alt-Country · Austin, Texas

You asked whether you are set up to get paid before the October single. Short answer: your performance side is half built, and your mechanical side is not built at all. The second one is the gap that matters. US streams generate a mechanical royalty whether or not anyone is registered to receive it, and nothing of yours is. It is also free to fix.

This looks at what anyone can see from outside. It does not touch your accounts, so there are things in here marked as not checkable. Those are honest gaps in what a public scan can reach, not judgements.

01What is working

02What is missing

The one that matters most

None of your eleven songs are registered with the MLC. The MLC pays songwriters the mechanical royalty on US streams. Both EPs have been live for over a year and have 310,000 streams between them. Every one of those streams generated a mechanical royalty, and with no registration there is nobody for it to be paid to. How much of that is still claimable is not something a scan of public registries can see, and this scan does not guess. Registration is free and you can do it yourself. Doing it before the October single also means County Line is covered from day one instead of retroactively.

03What we could not check

These need access to your accounts. They are the substance of the paid review, and we are not going to guess at them here.

ItemWhy it is not visible from outside
Distributor setupWhether splits, territories and payees are configured correctly inside your distributor account.
Money already collectedWhat has been paid, what is sitting unclaimed, and whether anything has been sent back.
Co-writer splitsTwo songs credit a second writer. Whether that split is agreed in writing is not public.
Sync readinessWhether instrumentals and clean versions exist, and whether the files are labelled the way a supervisor needs.
Neighbouring rightsPerformer royalties on recordings, which are collected separately and are commonly missed entirely.

04What we would do first

In this order, and the first two are free and take an afternoon:

  1. Register all eleven songs with the MLC. This is the one with money already on the table.
  2. Register the six unregistered songs with BMI, and set up a publishing entity so the publisher share has somewhere to go.
  3. Add credits to the nine songs missing them, before the October single rather than after.

The gaps here are registration-shaped, which is the kind the Royalty & Revenue Review is built for. It opens the accounts this scan cannot see and hands back the fix list in order. That is the natural next step, and you can also just do the three things above yourself.

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